{"id":2518,"date":"2012-12-31T08:00:33","date_gmt":"2012-12-31T08:00:33","guid":{"rendered":"https:\/\/blog.k8s.jorj.org\/?p=2518"},"modified":"2012-12-31T02:53:14","modified_gmt":"2012-12-31T02:53:14","slug":"5-ways-to-improve-your-gum-prints","status":"publish","type":"post","link":"https:\/\/blog.k8s.jorj.org\/?p=2518","title":{"rendered":"5 ways to improve your gum prints"},"content":{"rendered":"<p><a href=\"https:\/\/blog.k8s.jorj.org\/?attachment_id=2523\" rel=\"attachment wp-att-2523\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-2523\" title=\"Widowmaker II, unfinished\" src=\"https:\/\/blog.k8s.jorj.org\/wp-content\/uploads\/2012\/12\/IMG_2801-764x1024.jpg\" alt=\"\" width=\"764\" height=\"1024\" \/><\/a><\/p>\n<p>Over the last two years of heavy experimentation with bichromate processes (gum arabic or ammonium caseinate on various papers as well as glass), I&#8217;ve had to troubleshoot a lot of different problems. These are some of my most important lessons during that process.<\/p>\n<p><strong>Change one thing at a time.<\/strong><br \/>\nThe Bichromate processes are simple. Really simple. So simple that you can change them in a seemingly infinite number of ways, and still get good prints. Which also means you can change them in a seemingly infinite number of ways, and wind up with bad prints. While I was working to understand printing casein bichromate on glass, I stopped and counted the different variables. Or at least started to: I listed 20 in my lab notebook and then stopped. I picked four of those that seemed the most likely to be my current problem, and changed them one at a time until I got my desired effect.<\/p>\n<p><strong>Keep meticulous notes.<\/strong><br \/>\nFor every print, I write down as much detail as I can. I want to be able to completely forget about printing this piece, and then pick up my notebook a year later and quickly re-learn the lessons that I learned during that printing.<\/p>\n<p><strong>Size your paper early and often.<\/strong><br \/>\nThe better the sizing, the more layers you can print without staining the page. The more layers you can print, the better the blacks will be. I avoid printing with black pigment until the very end (if at all), enjoying the other deep colors that I achieve with just C\/M\/Y, and blacks come out of that pretty well after about 9 layers. But around layer 5, the paper starts staining with Cyan; and around layer 6, the Magenta stains as well. Knowing that, my 5th layer is usually a quick re-size with (Gambin) PVA sizing.<\/p>\n<p><strong>Cyanotype is your friend.<\/strong><br \/>\nUsing cyanotype as a base layer usually means you can skip two Cyan gum layers. It provides an excellent foundation for gum layers &#8211; a strong print to which you can easily register the other layers. There&#8217;s a trade-off, of course; this might mean less of the gum &#8220;sheen&#8221; in a final print.<\/p>\n<p><strong>Make two prints at once.<\/strong><br \/>\nIf you make two identical prints at the same time, it&#8217;s easier to learn from your mistakes. I usually prep two pages with sensitizer from the same batch; expose one, and get it soaking while the second starts exposing. After 5 minutes in the first bath it&#8217;s possible to get an idea of how well you did on the exposure &#8211; you can adjust the time of the piece that&#8217;s still exposing, if necessary. And when you make an inevitable mistake on one of the two, you can use that to experiment further in the later layers: &#8220;what happens if I use a lower concentration of dichromate on this layer? Or more pigment? Or&#8230;?&#8221; Those decisions no longer have to affect your &#8220;good&#8221; print. And sometimes I find that the experimental print, which I thought was ruined, turns out better than the &#8220;good&#8221; one!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over the last two years of heavy experimentation with bichromate processes (gum arabic or ammonium caseinate on various papers as well as glass), I&#8217;ve had<\/p>\n","protected":false},"author":2,"featured_media":2523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[68],"tags":[3,66],"class_list":["post-2518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-altprinting","tag-altprocess","tag-gum"],"_links":{"self":[{"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/posts\/2518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2518"}],"version-history":[{"count":13,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/posts\/2518\/revisions"}],"predecessor-version":[{"id":2593,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/posts\/2518\/revisions\/2593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=\/wp\/v2\/media\/2523"}],"wp:attachment":[{"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.k8s.jorj.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}